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Homecoming Tumbler Cup No. 1 of 6 | Soda Fired
A tumbler made for your hands with a hand-altered waist that knows exactly how you’ll hold it. Your thumb finds the indent. Your palm settles into the curve. Finally, a cup that holds you back.
This one is from my Soda Fired Fall Collection, and the outside isn’t covered in glaze like most pottery. Before the firing, I dip my hands in flashing slip, a thin layer of liquid clay, and hold the cup right at the alteration point, leaving my handprint behind. Then, during the firing, soda ash is sprayed into the hot kiln, turns into vapor, and becomes glaze wherever it lands. The golden bronze you see is the brown stoneware, the slip, and the soda all reacting to each other, so the handprint comes out differently every time. The inside is glazed by pouring glaze in and pouring it right back out. Flip it over and you’ll find little circles on the bottom from the wadding it sat on in the kiln, where the raw clay stayed bare.
For this one, I used a flashing slip called Tile #6, and it fired into bright tangerine streaks that wrap around the waist, right where my fingers held it. You can see each finger, almost like brushstrokes. This tumbler caught a little less soda than the others, so the body is a softer, more satin bronze, but it still has that metallic shimmer when the light hits it. Look inside and it’s a rosy pink that deepens to berry at the bottom, with a soft white line where the glaze breaks along the rim.
About 4 to 4.5 inches tall and holds 8 to 10 ounces. Every piece is one of one, so the one in the photos is the one you’ll get.
Want a matching set? Each tumbler came out of the same soda firing, so they all share that golden bronze glow but carry their own handprints. Find its sisters in Tumblers and mix and match your favorites.
A tumbler made for your hands with a hand-altered waist that knows exactly how you’ll hold it. Your thumb finds the indent. Your palm settles into the curve. Finally, a cup that holds you back.
This one is from my Soda Fired Fall Collection, and the outside isn’t covered in glaze like most pottery. Before the firing, I dip my hands in flashing slip, a thin layer of liquid clay, and hold the cup right at the alteration point, leaving my handprint behind. Then, during the firing, soda ash is sprayed into the hot kiln, turns into vapor, and becomes glaze wherever it lands. The golden bronze you see is the brown stoneware, the slip, and the soda all reacting to each other, so the handprint comes out differently every time. The inside is glazed by pouring glaze in and pouring it right back out. Flip it over and you’ll find little circles on the bottom from the wadding it sat on in the kiln, where the raw clay stayed bare.
For this one, I used a flashing slip called Tile #6, and it fired into bright tangerine streaks that wrap around the waist, right where my fingers held it. You can see each finger, almost like brushstrokes. This tumbler caught a little less soda than the others, so the body is a softer, more satin bronze, but it still has that metallic shimmer when the light hits it. Look inside and it’s a rosy pink that deepens to berry at the bottom, with a soft white line where the glaze breaks along the rim.
About 4 to 4.5 inches tall and holds 8 to 10 ounces. Every piece is one of one, so the one in the photos is the one you’ll get.
Want a matching set? Each tumbler came out of the same soda firing, so they all share that golden bronze glow but carry their own handprints. Find its sisters in Tumblers and mix and match your favorites.
