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Small Ruffle Vase No. 3 of 3 | Soda Fired
Each small vase is thrown on the wheel by hand, and while the clay is still soft, I work my way around the rim, pressing it in and out with my fingers one wave at a time. No two ever ripple quite the same way.
The ruffles aren’t just for looks. Every little dip in the rim gives a stem somewhere to rest, so a small bunch of flowers stays nicely spread out instead of all leaning to one side. And once they’re in, the ruffle sits around the base of the blooms like a soft, flowy skirt.
This one is from my Soda Fired Fall Collection. The outside isn’t covered in glaze like most pottery. During the firing, soda ash is sprayed into the hot kiln, turns into vapor, and becomes glaze wherever it lands on the clay, so the shimmery golden bronze you see is just the brown stoneware and the soda reacting to each other. The inside is glazed by pouring glaze in and pouring it right back out, so it holds water for fresh flowers, and that color peeks out from between the undulating ruffles. Flip it over and you’ll find little circles on the bottom from the wadding it sat on in the kiln, where the raw clay stayed bare.
This one is the big sister to Ruffle Bud Vase No. 3. I dripped and drizzled the same pink gray glaze around its round belly, and it ran down in soft, chalky streams of dove gray, with little blushes of pink caught in the drips. Against the glittery bronze, it almost looks like frosting melting down the sides. Then you look inside, and it’s a total surprise: a deep berry red that glows almost purple in the light, with a rim of pink and silver along every wave of the ruffle.
At about 5 inches tall with a wider, rounder body, it’s made for a small, full bunch of flowers, a handful of dried stems, or a spot on the table where it can just be pretty. Made to hold a small moment. This is a one of one piece, so the one in the photos is the one you’ll get.
Want a matching pair? Its little sister, Ruffle Bud Vase No. 3, is drizzled in the same pink gray glaze in a bud vase size.
Each small vase is thrown on the wheel by hand, and while the clay is still soft, I work my way around the rim, pressing it in and out with my fingers one wave at a time. No two ever ripple quite the same way.
The ruffles aren’t just for looks. Every little dip in the rim gives a stem somewhere to rest, so a small bunch of flowers stays nicely spread out instead of all leaning to one side. And once they’re in, the ruffle sits around the base of the blooms like a soft, flowy skirt.
This one is from my Soda Fired Fall Collection. The outside isn’t covered in glaze like most pottery. During the firing, soda ash is sprayed into the hot kiln, turns into vapor, and becomes glaze wherever it lands on the clay, so the shimmery golden bronze you see is just the brown stoneware and the soda reacting to each other. The inside is glazed by pouring glaze in and pouring it right back out, so it holds water for fresh flowers, and that color peeks out from between the undulating ruffles. Flip it over and you’ll find little circles on the bottom from the wadding it sat on in the kiln, where the raw clay stayed bare.
This one is the big sister to Ruffle Bud Vase No. 3. I dripped and drizzled the same pink gray glaze around its round belly, and it ran down in soft, chalky streams of dove gray, with little blushes of pink caught in the drips. Against the glittery bronze, it almost looks like frosting melting down the sides. Then you look inside, and it’s a total surprise: a deep berry red that glows almost purple in the light, with a rim of pink and silver along every wave of the ruffle.
At about 5 inches tall with a wider, rounder body, it’s made for a small, full bunch of flowers, a handful of dried stems, or a spot on the table where it can just be pretty. Made to hold a small moment. This is a one of one piece, so the one in the photos is the one you’ll get.
Want a matching pair? Its little sister, Ruffle Bud Vase No. 3, is drizzled in the same pink gray glaze in a bud vase size.
